Kim Newman may not have invented the mash-up genre (but then, he possibly may) but he is undoubtedly its premier virtuoso: In his seminal novel Anno Dracula he presents readers with an appropriately grimy and realistic Victorian London, and then fills it with vampires and a whole host of literary characters. I hesitated quite a while before reading the novel, because even though the concept seemed like fun, I was not sure whether the execution would live up to it. As it turned out, it did, and then some; and in consequence I did not hesitate at all to acquire the sequel to Anno Dracula, which is at least as enjoyable as its predecessor.
I am a huge fan of Amanda Downum’s Necromancer Chronicles, and I have to confess that I was more than a bit disappointed to learn that her new novel, Dreams of Shreds and Tatters, was not part of that series (and I still hope that she’ll get the chance to continue it one day). That disappointment, however, did not even survive the five or so pages of the Prologue; by then I was totally gripped by what turned out another brilliant novel by that author (who is on her way of becoming one of my favourite writers of speculative fiction).
I’m not exactly an avid reader of Horror Fiction, but do enjoy the occasional foray into that area. When I do, one of the things I find fascinating about it is finding out what it is the author wants his reader to perceive as frightening. That’s not always as obvious as it might seem, but in the case of Adam Nevill’s novel House of Small Shadows, it’s fairly clear pretty much from the start: dolls and taxidermy – two things whose high creep factor will be obvious to most people.
This is the second novel in Phil Rickman’s Merrily Watkins series, and like the first one it is an odd and unexpected mixture of cozy mystery and horror novel that manages to work surprisingly well. This time, Rickman moves the supernatural rather more into the foreground than it was in The Wine of Angels where it was only a very subtle presence that might very well not have existed at all. In Midwinter of the Spirit (I really love that title), we have ghosts, demonic possession, satanism – a whole range of supernatural phenomena. It is getting almost too much, and one can’t help but feel that Rickman is laying it on a bit too thick with an ending of almost apocalyptic proportions. Still, he manages to keep things in balance, if just barely, and never comes quite down on the side of a supernatural explanation of events; also there is a definite sense that human greed and ambition are at least as evil as any supernatural forces.
Due to my recent blogging slump I’ve fallen far behind on keeping up with the books I’ve read, pretty much beyond hope of ever catching up by way of regular blogging (at least for someone as fundamentally lazy as myself). Considering that the main purpose of this blog is to keep track of my reading, I did not want to just skip them like I did last year in a similar situation (and still regret doing), but constantly dragging two months behind is not an appealing prospect either, I’m finding it rather more fun to write about books while they’re still fresh in my mind. So I’ve decided to do a catch-up post that will bring me up to date (or at least close enough) where I basically just write a sentence or two on most of the books that I’ve read in October and November. I’m hoping to be able to return to at least some of them (Checkmate and Hydrogen Sonata in particular) for a more extensive post, but at least they won’t drop completely under the table.
The author clearly loves language, and loves descriptions and every reader who loves those too will enjoy Silk immensely. It is a first novel, so there is some tendency to overindulge herself – there is hardly a sentence here that does not contain at least one metaphor or two similes, but Caitlín Kiernan’s prose is so luscious and sensuous that complaining about this in the face of so much too enjoy would seem rather petty.
I suspect that one of the reasons why I do not read much horror fiction is that it just does not get at me. I can (and quite often do) tear up over a good Romance novel, but horror fiction, while I can appreciate and enjoy it intellectually, for the most part leaves me cold emotionally. Which The Ritual, Adam Nevill’s third novel (and his second one I have read), also did – but in the sense that it was giving me the chills. And on a hot day in July, too. This really is one scary novel, and if it even impressed me who am usually indifferent to that particular aspect of the genre, I assume that it will frighten the beejesus out of afficionados (unless they already are too jaded and barely twitch an eyebrow at even the scariest of tales).